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Found 5 result(s)
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The Australian Data Archive (ADA) provides a national service for the collection and preservation of digital research data and to make these data available for secondary analysis by academic researchers and other users. Data are stored in seven sub-archives: Social Science, Historical, Indigenous, Longitudinal, Qualitative, Crime & Justice and International. Along with Australian data, ADA International is also a repository for studies by Australian researchers conducted in other countries, particularly throughout the Asia-Pacific region. The ADA International data catalogue includes links to studies from countries including New Zealand, Bangladesh, Cambodia, China, Indonesia, and several other countries. In 2017 the archive systems moved from the existing Nesstar platform to the new ADA Dataverse platform https://dataverse.ada.edu.au/
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Phaidra Universität Wien, is the innovative whole-university digital asset management system with long-term archiving functions, offers the possibility to archive valuable data university-wide with permanent security and systematic input, offering multilingual access using metadata (data about data), thus providing worldwide availability around the clock. As a constant data pool for administration, research and teaching, resources can be used flexibly, where continual citability allows the exact location and retrieval of prepared digital objects.
The DMC is designed to provide registered users with access to non-confidential petroleum exploration and production data from offshore Nova Scotia, subject to certain conditions. The DMC is housed in the CNSOPB's Geoscience Research Centre located in Dartmouth, Nova Scotia. Initially, the DMC will manage and distribute the following digital petroleum data: well data (i.e. logs and reports), seismic image files (e.g. TIFF, PDF), and production data. In the future the DMC could be expanded to include operational, safety, environmental, fisheries data, etc.
Sound and Vision has one of the largest audiovisual archives in Europe. The institute manages over 70 percent of the Dutch audiovisual heritage. The collection contains more than a million hours of television, radio, music and film from the beginning in 1898 until today. All programs of the Dutch public broadcasters come in digitally every day. Individuals and institutions entrust their collection to Sound and Vision as well. The institute ensures that the material is optimally preserved for (re)use. Broadcasters, producers and editors use the archive for the creation of new programs. The collection is also used to develop products and services for a wide audience, such as exhibitions, iPhone applications, DVD boxes and various websites. The collection of Sound and Vision contains the complete radio and television archives of the Dutch public broadcasters; films of virtually every leading Dutch documentary maker; newsreels; the national music depot; various audiovisual corporate collections; advertising, radio and video material of cultural and social organizations, of scientific institutes and of all kinds of educational institutions. There are also collections of images and articles from the history of Dutch broadcasting itself, like the elaborate collection of historical television sets.