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Found 63 result(s)
York Digital Library (YODL) is a University-wide Digital Library service for multimedia resources used in or created through teaching, research and study at the University of York. YODL complements the University's research publications, held in White Rose Research Online and PURE, and the digital teaching materials in the University's Yorkshare Virtual Learning Environment. YODL contains a range of collections, including images, past exam papers, masters dissertations and audio. Some of these are available only to members of the University of York, whilst other material is available to the public. YODL is expanding with more content being added all the time
The National Library of Scotland was formally constituted by an Act of Parliament in 1925 and is one of six libraries covered by the UK legal deposit system. The Library is Scotland's national archive for published and other literary heritage materials. One of our primary responsibilities is to safeguard the collections for future generations. Our collections care facility is recognised nationally and internationally as a centre of excellence for the preservation and conservation of library materials. NLS includes "Data Foundry", data collections from the National Library of Scotland.
The Integrated Catalogue (InK) of Mediathek of the Basel Academy of Art and Design (Hochschule für Gestaltung und Kunst Basel, HGK) hosts, collects, archives and makes available digital resources of HGK and its digital, special collections. It is available both to members of the Academy of Applied Sciences of Northwestern Switzerland (Fachhochschule Nordwestschweiz, FHNW) to which the HGK belongs and to the general public. In addition to data for internal university use (login area), there is a large amount of unrestricted, freely accessible content. The thematic focus is on contemporary art and design, art and design research, and topics related to the HGK. The sources cover a wide range of media: in addition to thesis and PDFs based documents, there are cluster objects, which assign several images, videos, audio and/or text files to a defined data set. The InK serves as an institutional repository for research data management and as a platform for hybrid publications.
Country
The Digital Collections present selected pieces of all historical collections of the Württembergische Landesbibliothek. The aim is to offer digital reproductions of objects which are created within the framework of cataloguing and research projects.
The platform hosts the critical edition of the letters written to Jacob Burckhardt, reconstructing in open access one of the most important European correspondences of the 19th century. Save a few exceptions, these letters are all unpublished. On a later stage, the project aims to publish also Jacob Burckhardt’s letters. The editing process has been carried out using Muruca semantic digital library framework. The Muruca framework has been modified over the project, as the requirements of the philological researchers emerged more clearly. The results are stored in and accessible from the front-end of the platform.
Country
For many years, the Badische Landesbibliothek has been digitising outstanding holdings from its cultural fundus in order to make them available to interested parties worldwide free of charge. This heritage includes medieval manuscripts and valuable music as well as copyright-free sources, reference works and important individual writings on Baden and its history.
Country
Bildarchiv Foto Marburg is Germany's documentation center for art history. Its mission is to collect, index and make available photographs related to European art and architecture, as well as to conduct research on the history, practice and theory of how visual cultural assets are passed on, especially the accompanying transformation process as it relates to the media, the conditions of storing knowledge in visual form, and the significance to society of remembering visual culture. The inventory of Bildarchiv Foto Marburg, the greater part of which is digitally processed, and the inventories of further cultural organizations can be viewed on the internet from the image database: Image Index of Art and Architecture: https://www.bildindex.de/
The Phonogrammarchiv is a multi-disciplinary research sound and video archive, covering holdings from all continents. Since its foundation in 1899 the Phonogrammarchiv has been building up its holdings by cooperating with Austrian scholars and archiving their collected material, or by fieldwork conducted by staff members on special topics exploring new fields of methods and contents. The main tasks comprise the production, annotation, cataloguing and long-term preservation of audio-visual field recordings, making the cultural heritage available for future generations and enabling the dissemination of the recordings as well as technical developments in the field of AV recording and storage. Thus the Phonogrammarchiv adds to infrastructural performance valuable to both the scholarly community and the public at large.
Sound and Vision has one of the largest audiovisual archives in Europe. The institute manages over 70 percent of the Dutch audiovisual heritage. The collection contains more than a million hours of television, radio, music and film from the beginning in 1898 until today. All programs of the Dutch public broadcasters come in digitally every day. Individuals and institutions entrust their collection to Sound and Vision as well. The institute ensures that the material is optimally preserved for (re)use. Broadcasters, producers and editors use the archive for the creation of new programs. The collection is also used to develop products and services for a wide audience, such as exhibitions, iPhone applications, DVD boxes and various websites. The collection of Sound and Vision contains the complete radio and television archives of the Dutch public broadcasters; films of virtually every leading Dutch documentary maker; newsreels; the national music depot; various audiovisual corporate collections; advertising, radio and video material of cultural and social organizations, of scientific institutes and of all kinds of educational institutions. There are also collections of images and articles from the history of Dutch broadcasting itself, like the elaborate collection of historical television sets.
Country
Being both, a demand as well as a chance of the present age of information technology for cultural preservation and continuation, public databases possess an immense importance for providing a comprehensive access to cultural material as far as their contents and also their clientele of users are concerned. Therefore, an exemplary completely preserved stock of primary sources as the one of the Weimar theatre is no less than an invaluable piece of luck, possibly just due to the manageable local conditions of this small (former courtly) town in the middle of German language area. In this English version, first this rare cultural-historical phenomenon and its sources are described. Furthermore, the data- and metadata-contents within the Weimar theatre- and music-ephemera database are presented. Finally, the principal opportunities of searching this (meta-)data pool are explained, where presumed to be necessary supported by screenshot images from the internet platform.