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VertNet is a NSF-funded collaborative project that makes biodiversity data free and available on the web. VertNet is a tool designed to help people discover, capture, and publish biodiversity data. It is also the core of a collaboration between hundreds of biocollections that contribute biodiversity data and work together to improve it. VertNet is an engine for training current and future professionals to use and build upon best practices in data quality, curation, research, and data publishing. Yet, VertNet is still the aggregate of all of the information that it mobilizes. To us, VertNet is all of these things and more.
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The UTM Data Centre is responsible for managing spatial data acquired during oceanographic cruises on board CSIC research vessels (RV Sarmiento de Gamboa, RV García del Cid) and RV Hespérides. The aim is, on the one hand, to disseminate which data exist and where, how and when they have been acquired. And on the other hand, to provide access to as much of the interoperable data as possible, following the FAIR principles, so that they can be used and reused. For this purpose, the UTM has a Spatial Data Infrastructure at a national level that consists of several services: Oceanographic Cruise and Data Catalogue Including metadata from more than 600 cruises carried out since 1991, with links to documentation associated to the cruise, navigation maps and datasets Geoportal Geospatial data mapping interface Underway Plot & QC Visualization, Quality Control and conversion to standard format of meteorological data and temperature and salinity of surface water At an international level, the UTM is a National Oceanographic Data Centre (NODC) of the Distributed European Marine Data Infrastructure SeaDataNet, to which the UTM provides metadata published in the Cruise Summary Report Catalog and in the data catalog Common Data Index Catalog, as well as public data to be shared.
The scores and libretti in this Virtual Collection include first and early editions and manuscript copies of music from the eighteenth and early nineteenth centuries by J.S. Bach and Bach family members, Mozart, Schubert and other composers, as well as multiple versions of nineteenth century opera scores, seminal works of musical modernism, and music of the Second Viennese School. Many, such as variant editions of nineteenth century operas and related libretti, fall into intellectually related sets that are meant to be seen and used together. As a group, they give scholars a window into the study of historical performance practice that cannot be duplicated using the holdings of any one other library.